front cover of Bad Colonists
Bad Colonists
The South Seas Letters of Vernon Lee Walker and Louis Becke
Nicholas Thomas and Richard Eves
Duke University Press, 1999
In Bad Colonists Nicholas Thomas and Richard Eves provide a window into the fantasies and realities of colonial life by presenting separate sets of letters by two late-nineteenth-century British colonists of the South Pacific: Vernon Lee Walker and Louis Becke. Thomas and Eves frame the letters—addressed mostly to the colonists’ mothers—with commentary that explores colonial degeneration in the South Pacific. Using critical anthropology and theories of history-making to view the letter as artifact and autobiography, they examine the process whereby men and women unraveled in the hot, violent, uncivil colonial milieu.
An obscure colonial trader, Walker wrote to his mother in England from Australia, the New Hebrides (now Vanuatu), and New Caledonia—and also from ships in between those places—during the 1870s and 1880s. Becke was a trader, too, but he was also a successful author of popular fiction that drew on his experiences in the Pacific. Written from Micronesia in the early 1880s, Becke’s letters are like Walker’s in that they report one setback after another. Both collections vividly evoke the day-to-day experiences of ordinary late-nineteenth-century colonists and open up new questions concerning the making and writing of selves on the colonial periphery.
Exposing insecurities in an epoch normally regarded as one of imperial triumph, Bad Colonists will appeal to students and scholars of anthropology, colonial history, cultural studies, and Pacific history and culture.
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What the People Know
Freedom and the Press
Richard Reeves
Harvard University Press, 1998

The power and status of the press in America reached new heights after spectacular reporting triumphs in the segregated South, in Vietnam, and in Washington during the Watergate years. Then new technologies created instantaneous global reporting which left the government unable to control the flow of information to the nation. The press thus became a formidable rival in critical struggles to control what the people know and when they know it. But that was more power than the press could handle--and journalism crashed toward new lows in public esteem and public purpose.

The dazzling new technologies, profit-driven owners, and celebrated editors, reporters, and broadcasters made it possible to bypass older values and standards of journalism. Journalists reveled in lusty pursuit after the power of politics, the profits of entertainment and trespass into privacy. Richard Reeves was there at the rise and at the fall, beginning as a small-town editor, becoming the chief political correspondent of the New York Times and then a best-selling author and award-winning documentary filmmaker. He tells the story of a tribe that lost its way. From the Pony Express to the Internet, he chronicles what happened to the press as America accelerated into uncertainty, arguing that to survive, the press must go back to doing what it was hired to do long ago: stand as outsiders watching government and politics on behalf of a free people busy with their own affairs.

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